Kabir Suman er motamot 11 th january-r onusThan niye

[sreyashi]

Kabir Suman ei file -e Tanr motamot janiyechhen, bangalorer "sworanjoli 'niye.
ekhane ami setai tule dilam .

[sopan4u]

attachment-ta dekhte pachchi na ...no. of posts kom thakar karone...

[ratri]

Shraddheya Suman babu,

Apnar lekha(11th Jan’08,banglore program tir review) pore sara sori apnar saranapanno hocchi.. samagro lekhati amar bhishon contradictory legeche, tar karon gulo ami ek ek kore ullekh karar chesta korbo..
Shudhu birodhitar jonno, ba ekta negative sense e sabkichuke dekhar jonno e lekha nay, apnar gangulo mone emon ekta jaygay ache, hay to sekhan theke aposhe asata sottii sambhab nay, hay to moner etota beyadopi apnar kach thekei sekha apnar ajante. Jakhoni apnar gan sunechi, lekha porechi, takhoni mone hoyeche e baro apnar lok.. jai hok edharoner imotional katha balar jayga hayto eta nay..
Kichu bhalo shonar asa korei odiner anusthantite bangalore theke anek durer ekti sahar theke giyechilam, kintu sabkichur sathe samjhota sambhab nay bolei uthe chole aste baddho hoyechi.. apnar bhalo legeche seta apnar mata mat, hayto kichu korte chaoyar utsaho.. kintu amar bhalo lage ni, seta k ami prokasye bolechi.. keno bhalo lageni tar karon o amar kache jathesto spasto..jodio apnar gan amaro ‘babar sampotti’ nay. Tabe khub beshi nijaswa.
Anusthaner shuru holo ‘neche oth nithar samay’ apnar ki mone hay asol gantir moddhe j dharoner ucchalota, j dharoner passion chilo, puro ganer kathar moddhe j ek bandhon chilo seta dhara poreche ei anusthane jakhon gaoya hay takhon. Je keu jakhon gan suru koreche tar age se kato Kabir bhakto tar ekta introduction diyeche, tar ki kono proyojon chilo, bhalo lagei bolei to jamayet kara. Na bhalo lagle k gaito ba k sunto ?
‘tini briddho holen’ sur anek jaygatei narbare chilo ar uccharon o ekek jaygay ekek rakom chilo.. consistency bole kichu chilo na.. jemon ‘banaspati’ ei sabdo ti..
ebar ‘jodio akash donyashay mriya man’ ganta sesh surgulo bhishan flat bhabe just chere deoya hoyeche.. kothao thik kore lagan ni. Ekhono apni bolben sab khub bhalo chilo, ora dibbo bere geyeche..
jage jage rat-er surutei uthe esechi, karon dhara tei sara hoye giyechilo, baki list anek baro chilo , sekhane amar ati priya gangulor sathe darshon haoar bhaye sahosh jugiye sekhane thakte pari ni..
apni nijei bolechen – ‘Frankly, when Srijit Mukherjee told me about 2 months ago that they had formed a group in Bangalore and that they wished to play only my songs on a particular evening’ eto tarahuror kono darker chilo, eki khub chele khelar kaj je dumasher practice ei apnar gan gaite suru kara.. apni ki eto sahoje perechilen ajker ei jaygatate pouchote jodio apnar kache songit shikkhar ekta jayga chilo..
‘There was not a single lose moment, not a single instance of a slipshod treatment.’ etai jodi sotto hay tahole ‘There were of course a few patches that need to be worked on, such as the use of jazz modes in the instrumental free play in “Jage Jage Raat”. Despite the spirit of musical adventure that I am always ready to appreciate, the improvisation sounded a bit out of place. It failed to impress me at least because I had used the raga Lalit much too intentionally and obviously for the melody. In fact, the song could well be used as a Khayal Bandish that could be exploited adequately by such a group to embark upon an explorative journey by using both voice as well as instruments. Personally, I believe that every age should have the right to rework certain works of art of the past. But the structure of Choto kheyal is so obvious in this particular song that it can hardly be replaced with jazz modalities in a country like India. Besides, the replacement of 16 beats with 8 beats tended more to be a sign of weakness than of creativity. It gave rise to the suspicion that probably most of the musicians who were involved in the performance of this particular song were not trained enough to handle teentaal. However, I should ask Nagorik to do more homework on this song before they perform it anywhere. I believe a disciplined raag-taal-based approach and more training would enable this same group to present this very song in a new and more enjoyable form in future.’ Eti lekhar kono manei hay na.. ar jodi apni bolen tahole ekti nay prottek tir jonno bolun, apnar kache eta chotoder proyash hote pare amar kache na, amar kache chotoder chele khela.
Gangulo jodi etoi bhalo hay tahole uddoktara arektu uddog niye anusthaner audio recording ti ei forum ei din na tahole aro asongkho sumanpremi tader ei ‘satchestar’ porichay pak. Ebang ekbar shrotarai bichar kore dekhun, satter sottota katokhani..
'In the past, I have noticed that sometimes some people have reacted negatively to any attempt by musicians to play my songs. I assume these people have their reasons. But as a songwriter and musician who has been trying to serve Indian music I feel nervous when people tend to be too critical. A shaky and unprofessional rendition ought to be criticized.’ Apnar jaygay anno kauke kalpona kara sambhab nay, tai jonnoi amra etota biased.

Abosheshe , aposhe asamartho hoye ami iti korlam, biday bandhu.. bhalo thakben.

[paulami]

Apnader dujonkei onek dhonyobad apnader motamot deyoar jonyo.

Sotti kotha bolte ki, ami onusthan ti sunini. Amar mone hoi Suman r oi onusthan bhalo legeche setao jemon sotyo, thik temoni Ratri r na bhalo lagatao sotyo.

Ekhane kothao kono dondo nei; dondo tokhoni toiri hoi jokhon manush chai nijer mot onyer upor chapate. Ekhane chapanoutorer kono jaigai nei.

Ei prochesta nisondehe bhalo; setao udyoktader sadhinotar jaiga. NAGARIK tar chestai kotota sofol holo ta ei muhurte bichar kora sombhob noi-tar jonyo proyojon somoi, songit chorcha ar sadhona. Sekhanei bojha jabe-era uttoradhikari hote parlen; naki chomoker arale hariye gelo sob kichu ei bajar e.

Tobe sotti onushthan ti jodi audio sona jai tahole khub bhalo hoi.

[Brishti]

Onushthantir AUDIO thakle, please upload kore deben. Sonar ichche roilo NAGARIK r sahosi proyas r dolil ti ke.